SXSW 2021: The Drover’s Wife: The Legend of Molly Johnson

This Australian project was written by Leah Purcell, based on her 2019 book and stage play. She portrays Australian drover’s wife Molly Johnson in the film, which was shot in New South Wales, Australia.

The film turns out to be a message movie campaigning for women in mid 19thcentury Australia (and theworld) to be free of fear of abuse from their husbands. It is also a strong statement about racial acceptance, as we suffer through Molly’s marriage to a loutish brute of an unfaithful husband and her struggles to raise four children alone.

As the movie progresses, we learn that Molly, herself, might be the product of an inter-racial couple. Coming on the heels of the Oprah interview with Megan Markle, the discussion of mixed race children is timely, especially when there is a legal effort to take the children away from Molly, because they are “octaroons.” (Son Danny, age 12, overhearing the conversation, asks his mom what an “octaroon” is.

Molly is among the toughest women portrayed in any western— and this isn’t even a western, since it is Australian. She is a crack shot with a rifle and, in the course of the film, dispatches at least 5 people for various justifiable reasons. Will the law view it that way?

The vistas captured by cinematographer Mark Wareham are gorgeous, with shots of Molly riding across the landscape, rifle at her side, silhouetted against majestic snowy vistas. Months after the filming ceased in the Snowy-Monaro region, a brushfire raced through the Selwyn and Adaminaby areas in rural New South Wales destroying some of the buildings used as sets.

The acting throughout is good, although a less appealing heroine would be hard to find. Aside from her complete devotion to her four children, Molly is not a good-looking woman; it is hard to fathom her appeal to the Aborigine man whom she aids, as they rarely seem to have much interaction at all. It was hard to see why he would urge Molly to run away with him, given the relatively sterile relationship portrayed see onscreen.

莫莉的早期援助的新警察n, Sergeant Klintoff(Sam Reid) and his London-born wife Louisa (Jessica De Gouw)在电影的早期,插入了妇女抗议配偶虐待待遇的权利的主题。路易莎人生的目标是出版女性报纸。她说:“我试图给女性一个关于一个问题已经安静了太久的声音。”

尽管路易莎(Louisa)表达了妇女权利主题,但电影的结尾还是有点多。我不会透露路易莎和朋友宣传这个问题的所作所为。只是说,有一个时间和一个地方;也许他们的选择既不是时间也不是地方。

The Drover's Wife The Legend of Molly Johnson
Director Leah Purcell

特别表演的敬意转给扮演12岁的丹尼·约翰逊(Danny Johnson)的小男孩。He isn’t listed on IMDB.com, but the “Introducing Malachi Dover-Robbins” onscreen makes me think it is young Malachi who is tasked with reacting the many injustices piled upon Molly and, ultimately, is an essential player in saving the lives of all of Molly’s children. Malachi does a good job.[I hope I’ve spelled his name correctly in trying to give credit where credit is due.]

I love Australian films. My daughter spent an entire year working and traveling in Australia—which means that I, too, ended up visiting Australia and New Zealand. Whenever I get the chance to take in an Australian film, I jump at the prospect. This one, while daunting in its bleakness, is a cinematic treat and a terrific achievement for its star/writer/director, Leah Purcell.

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About Connie Wilson

Connie (Corcoran) Wilson (www.ConnieCWilson.com ) was the Quad City Times film and book critic for 15 years and has continued reviewing film uninterruptedly since 1970. She also publishes books in a variety of genres (www.quadcitieslearning.com), has taught writing or literature classes at 6 Iowa/Illinois colleges or universities as adjunct faculty, was Yahoo's Content Producer of the Year 2008 for Politics, is the author of It Came from the 70s: From The Godfather to Apocalypse Now, and writes on a variety of topics at her own blog, www.WeeklyWilson.com. Weekly Wilson is also the name of her podcast on the Bold Brave Media Global Network on Thursday nights at 7 p.m. (CDT).