官方Suzi Quatro纪录片功能Suzi Q该图表绘制了70年代爆发到现场的开创性女摇杆的54年职业生涯，将于7月1日（希望）在剧院开业，并于7月3日在VOD和DVD上发行，并在DVD上发行，并于7月3日发行了特殊的奖励功能。亚搏电子电竞官方网站。在大流行之前，我看过它。我想知道现在，在剧院中发布它的计划是否代表了另一个障碍，以摇滚乐的一位开拓性的女性表演者的方式抛弃，她的股份不仅仅是她的份额。
It’s a terrific documentary and very entertaining, with lots of archival footage from the Australian filmmakers. Suzi was, quite simply, ahead of her time and it hampered her success in her native land.
一旦底特律城的Suzi Quatro见到猫王，她就知道她想成为他。从某种意义上说，她确实成为了女猫王，而不是在自己的家园中。在此过程中，她不得不克服一些家庭的反对，使她说：“您会在某个时候要支付严重的会费。”
Suzi’s career was hampered when the man responsible for much of her promotional success, Mickie Most, a promoter who had discovered The Animals and the Yardbirds, quit guiding her career in 1980 upon the expiration of their contract. Mickey had urged her to come to England in 1971 when she was just 21 years old. She was the first female bass player to become a major rock star and the combination of the pint-sized power house playing the large bass guitar and singing as well as the men caught on in Europe and Australia, but not in the U.S.
In the 1970s, Quatro scored a string of hit singles that found greater success in Europe and Australia than in her homeland. She reached Number One in the UK and other European countries and Australia with singles “可以” (1973) and “魔鬼大门驱动器”(1974)。低音playe后反复出现的角色r Leather Tuscadero on the popular American sitcomHappy Days，她的二重奏Stumblin’在” with烟熏‘s lead singerChris Norman在美国排名第四。
Quatro于1973年发行了她的同名首张专辑。此后，她发行了15张录音室专辑，十张汇编专辑和一张现场专辑。她的其他单曲包括“48崩溃“, “代托纳恶魔“，“野生”和“你的妈妈都不喜欢我。
在1973年至1980年之间，Quatro被授予六个Bravo Ottos。In 2010, she was voted into the Michigan Rock and Roll Legends online Hall of Fame. Quatro has sold over 50 million albums and continues to perform live, worldwide. Her most recent studio album was released in March of 2019 and she also continues to present new radio programs.
This excellent film from Australian filmmakers Liam Fermager (director) and Tait Brady explains, “Suzi was the precursor to Joan Jett.” You could say, “Suzi Quatro was Joan Jett before there WAS a Joan Jett.” That message is driven home by riveting rock & roll footage of Suzi in concert and by such fellow artists asAlice Cooper,黛博拉·哈利(Blondie),琼·杰特（Joan Jett），切莉·柯里（Cherie Currie）（逃亡者），Tina Weymouth(Talking Heads),Donita Sparks（L7），亨利·温克勒（快乐的时光），Kathy Valentine(The GoGo’s),KT Tunstall，Quatro家族的成员等等。
“Suzi Q” portrays Suzi as the trailblazer and inspiration for a generation of women musicians to follow. As the film says, “It takes a Suzi Quatro to come along and say, to other girls, this is possible.” Suzi is quoted this way: “I was waiting for my shot…As soon as you make it big, they cut you to pieces. At that time, rock was a male-dominated business.” She also notes, of her work ethic, “I’m obligated to be the best I can be. That’s the attitude I take to my shows. You’re gonna’ get all of me.”
纪录片《 Suzi Q》是底特律城的女孩的故事，她重新定义了摇滚乐中女性的角色和形象。她于1973年在世界各地闯入，并在54年的职业生涯中售出了5500万张唱片。她是歌手，词曲作者，贝斯手，作家，广播节目主持人，诗人，女演员，她仍在巡回演出和录制音乐，并带有一张新专辑“ No Control”，她的24Th专辑。（2019年3月）。
Suzi’s journey began in 1964, ’65 and ’66, singing songs with lyrics like: “I’m a red-hot fox. I’m a wild one.”
Quatro moved toEnglandin 1971, after being spotted by the record producer米基最多, who had by that time founded his own label,Rak Records。He had been persuaded to see Cradle—the group that included Suzi and 2 of her sisters— byMichaelQuatro姐妹的兄弟，他担任了管理角色。像当时唱片行业中的许多贾尼斯乔普林had created. According to theEncyclopedia of Popular Music, his attention to Quatro was drawn by “her comeliness and skills as bass guitarist, singer and chief show-off in Cradle.”
When Mickey Most saw Suzi and her sisters—Patti, Arlene and Nancy—playing and singing, he only wanted Suzi, the cute, petite bass player. That set the family unit on a path of jealous envy. Suzi, herself, says, “You can always look back with regret…It’s important to be validated by the ones you love the most….But when you look at what you have accomplished, you have to realize that the mistake is that people overlooked you. That’s their mistake.”.
Suzi’s look—leather cat-suit—was modeled on the Jane Fonda film “Barbarella” and she had to leave the country she grew up in to make it. Make it she did, but having your record be #1 in Portugal, France, the UK and Switzerland is not the same as making it in the United States. Her self-titled album, although Number One in Australia, only made it to #142 in the U.S. Today, she lives in Essex, Hamburg (Germany, a country which embraced her），有时在底特律。
1974年，Suzi回到了Tour America，没有回到3年。回到家后，她发现她的童年家中的所有衣服和专辑都已被拆除。她在72天内玩了65个城市，并在乌里亚·海普（Uriah Heep）和爱丽丝·库珀（Alice Cooper）开放Welcome to My邻里tour (April 4, 1978). She even made the cover of “Rolling Stone” (Issue #177). But even Clive Davis couldn’t get Suzi’s songs played in the U.S. on radio and, as Joan Jett says in the documentary, “The key to success in the states has always been radio.”
After the Alice Cooper tour of 1974, there was no real push for Suzi’s music and “Stumblin’ In”, which went to #4 in the U.S., was her highest-charting song in her home country.
Suzi在“快乐的日子”上度过了3年（1977- 1979年），作为皮革Tuscadero，扮演Fonzi女友Pinky Tuscadero的妹妹。她甚至被系列创作者加里·马歇尔（Garry Marshall）提供了衍生系列，但由于担心被打字而拒绝了。1980年，在与米基（Mickie Most）的合同结束后，她发现了她并培养了她的职业生涯，她与查普曼（Chapman）的梦幻地唱片（Dreamland Records）签约。Dreamland Records在1981年折叠，使Suzi没有唱片公司。
Suzi爱上了她的后备吉他手Len Tuckey，她经常与她共同创作歌曲。他们于1976年结婚，这时Quatro在国外度过了5年。Suzi结婚后花了5年试图生孩子。她于1982年成功生下了女儿劳拉（Laura）。
结婚16年后，Suzi和Len于1992年离婚。Lenny反对Suzi在1986年的“ Annie Get Your Gun”中扮演Annie Oakley的角色，说：“您不能那样做，然后在英国出售摇滚。”他补充说：“她不想让任何人阻止她。”今天，Suzi与德国唱片制作人Rainer Haas结婚，她于1993年结婚，居住在德国汉堡或英国埃塞克斯。
Suzi Q, the documentary, positions Suzi as the trailblazer and inspiration for a generation of women who were to follow after her in the next decade, but whose trailblazing status was not sufficiently recognized by the music industry and contemporary audiences in North America.The documentary SUZI Q reminds contemporary audiences of her pioneering influence, white-hot talent and string of incandescent rock hits (CAN THE CAN, 48 CRASH and DAYTONA DEMON）这是她在摇滚乐中爆炸性别刻板印象的爆炸的工具。她重写了摇滚音乐中女性预期形象的规则书，并在此过程中吸引了数百万人。
